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Ballet Luminary Matthew Ball on Demanding Roles and Online Scrutiny: 'I'm Not Protective About My Body'

In the hushed atmosphere of a hotel bar near London's prestigious dance company, Matthew Ball orders a mint tea. The dancer's posture is naturally upright, his arms defined beneath a simple tee. During performances, ballet dancers can appear as powerful deities, yet often offstage they are small. Not so Ball, whose tall stature is part of his demand for heroic roles and partnering. With delicate traits and piercing eyes, there's a hint of Robert Pattinson about him.

An Apparent Rise to the Pinnacle

Now 31, Ball is enjoying the peak of a career that has progressed smoothly. Raised in Liverpool, he faced little teasing for his childhood passion in ballet. Entering the Royal Ballet School at 11, he graduated straight into the company and was advanced annually, reaching the top rank of principal in 2018. He has loved taking on meaty dramatic roles, especially the psychological turmoil found in Kenneth MacMillan's works.

"Your lungs are burning, your legs get heavy, but it’s really a neural fatigue."

Ball's next featured appearance is as himself, in an "Evening With" series aiming to offer behind-the-scenes perspectives into a dancer's art. He will guide the crowd through a role, demonstrating his mental workflow during execution. Even in more comedic works, the test is significant. "A classic ballet is one of the most demanding technically," he notes.

The Mental Game and Post-Performance Emotions

How does he feel following a performance, when he has succeeded? "It feels pretty good," he admits. "However because I'm trying to extract all the juice out of it, and get lost in the character, quite often I do feel embarrassed afterwards. Following an intense role I'm always like: Wow, what must people think?"

Offstage, Ball is thoughtful, polite, and prone to laugh at himself. Yet a choreographer previously observed on a "kind of suffering in him." Is there? "I'm quite energetic in general, but I do have a dark side," he confesses. "I kind of enjoy negativity sometimes. I've always felt that negativity has been an instigator for positive change."

Early Motivations and Creative Inspirations

Ball's tenacity originated in early experiences. Not doing well in competitions at school made him "vengeful!" It was motivation to prove he could succeed. Reading the book *Mao's Last Dancer* was a "watershed" moment. "It flipped a switch, it made me go a bit obsessive," he recalls.

The next endeavor is creating his own dance works. For Ball, "organic movement has value." "Challenging the rules is interesting, but just acting that they’re not a reality any more – I don’t know how far you can go with that." He wants his work to be filled with meaning, drawing inspiration from books, music, and painting.

Close-Up Dance and Private Partnership

He also is interested in presenting dance in smaller venues. "It was just really exciting," he says of a previous show. "You’re so close to the viewers. I felt as if they were thinking: 'That’s a person, and they’re perspiring.'"

Ball has made pieces with his partner, fellow lead dancer Mayara Magri. The degree of faith between them is evident. "We tried it out on the beach first," he says of a audacious lift. "It resembled Dirty Dancing." They aren’t typically paired on stage at their main theater, which is perhaps beneficial. "We’re both quite determined people, so it’s not always smooth sailing," he notes. "Yet I feel like we’re each other’s biggest cheerleader."

Regarding Instagram and Physical Image

On social media, fans can see videos from his projects and photos that showcase a athletic physique. Does he mind that the response can be a bit objectifying? Not particularly. "The body is just what we use, so I don’t feel very protective about it," he explains. He relates it to seeing Michelangelo’s David—something that can be interpreted on various ways.

Ball describes his early self as "desperate for success." Has it lived up to his hopes? "I am conscious of how life is a different reality to the aspirations you made as a young person," he reflects. He probably has about ten years of performing left. "I guess in the future, I want to be a bit more kind with myself."

JH
The writer

John Hudson

A digital strategist with over 8 years of experience in web development and content marketing, passionate about simplifying tech for businesses.

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